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The Egyptian Modern Dance Theatre Company
Walid Aouni
Walid Aouni is the founder and director
of the Cairo Opera House's
Modern Dance
Theatre Group and he can look back at
over 20 years of success in the world of
dance theatre
Featured in more than 1,200 articles and
interviews, Aouni is characterised as
one of the most controversial directors
and choreographers, forever seeking the
unusual and enigmatic, forever turning
the expected into the unexpected.
Although many of his interpretations are
shrouded in mystery they are never
devoid of genuine feelings. His career
began in Brussels where he founded the
Tanit Dance Theatre in 1980. His first
performance dealt with philosopher
Gobran Khalil Gobran, followed by his
own interpretation of such varied
concepts as Sigmund Freud's ideas, or
classic works like Romeo & Juliet. Other
productions were Correspondents,
Flashback, Number 9, Raba'a El-Adaweya,
Souf, Republic of ISME and The Second
Day of Hiroshima
In 1988, Tanit Dance Theatre was chosen
to stage the inaugural performance for
the Institut du Monde Arabe in Paris
which it did with Abdel Wahab El-Bayatti
and The Seven Doors.
Between 1983 and 1990, Aouni worked as a
scenographer, set and costume designer
with Maurice Béjart, the famous
choreographer and director. Performances
included A Soldier’s Story, Mass from
the Future, Béjart's creation on the
songs of Edith Piaf, Paris-Tokyo,
Haraguru, and Pyramid-Al Nour which was
also staged at the Cairo Opera House in
1990.
Apart from dance performances Aouni
directed several plays by Belgian
playwrights including Philippe Panier’s
Golden Beaches, Thorax, Sagress, and
Sophocles by Night.
Between 1990 and 1991, Aouni directed
and choreographed for the Cairo Opera
Ballet the works Rhythm of Generations
and The Three Nights of the Sphinx. He
also produced Zanket Al-Namouss in
Tunis. In 1993, he was commissioned by
the Egyptian Ministry of Culture to
establish the first dance theatre
company in the Arab world at the Cairo
Opera House. The newly established group
gave its first performances with
Contradictions and The Fall of Icarus.
In 1994, the group staged Excavations of
Agatha, and Elephants Hide to Die in
1995. The latter won Best Scenography at
the Seventh Cairo International
Experimental Theatre Awards.
Between 1994 and 1997, Aouni produced
his famous trilogy Coma on Naguib
Mahfouz, The Last Interview on Tahia
Halim and The Desert of Shady
Abdel-Salam, a tribute to he late unique
cinematographer. Other famous
productions include At the Beginning …
there was Dance (1998), Prova 98, The
Song of the Whales, Scarecrow (1999),
and Shahrazad-Korsakov (2000).
Aouni also directed several performances
for the Ministry of Culture including
Nights of Thebes which took place in
Luxor, and a special performance for the
opening ceremony of the Nubian Museum in
Aswan. Another internationally televised
performance by Aouni was the gala show
on the Giza plateau celebrating the
completed restoration of the Sphinx.
Likewise, Aouni was commissioned to
create pomp and ceremony shows for the
6th of October celebrations among them
Peace Message, which were performed on
the banks of the Suez Canal, Markeb
El-Watan, and Volcano.
He produced his own modern
interpretation of Donizetti’s Don
Pasquale for the American University in
Cairo, and to rouse the interest of the
youngest he produced his version of
Jungle Book, Hunchback of Notre Dame,
Titanic and the Little Prince. Aouni
received numerous international awards
and decorations from France, Belgium as
well as the Honorary Knight Order from
the Republic of Lebanon and a
Distinguished Shield of Honour from the
Egyptian army. In 1997, Aouni was chosen
Best Theatre Director of the year by
Al-Akhbar newspaper.
Among the many stage and cinema
directors Walid Aouni collaborated with
in his 20 years of art performances are
such international celebrities as
Maurice Béjart, Jacques Lasalle,
Vittorio Rossi, Youssef Shahin and Joe
Malkonian. He is currently director of
the Festival of Modern Dance Theatre
founded in 1998 by the Ministry of
Culture and the Cairo Opera House.
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